Once again the masterminds at BookNet Canada kept it seriously real at their annual conference, BNC Tech Forum. Overall, the team really got it right this year; the event boasted great speakers, timely information, new, sustainable business models and a general rethinking of the shape of the book business. The theme of the day was ‘calculated risk,’ and the speakers covered both sides of that coin, candidly discussing both the failures and successes related to taking risks in publishing. The highlight of the day, for me at least, was imagining the simultaneous chest-heave of the publishers in the room when, after being asked whether community building was a marketing strategy or a publishing strategy, Richard Nash responded with “brand owners will use publishing as a marketing strategy.” I know it’s scary guys, but it will be ok.
1) Can this business be saved? Bob Miller, Workman Publishing
Bob gave a general discussion about his experience working with HarperStudio, focusing on the risks the firm took to move publishing into a new, return-free direction. He made a lot of really interesting points, but I’m not sure how much independent publishers will be able to take home; I’m not sure how applicable HarperStudio’s profit-sharing model for authors who don’t really need the money of an advance is to proprietors of smaller literary presses but nonetheless, interesting things were said:
- data is going to be a lot of the solution to supply chain issues, not eliminating returns
- format building for online sales in the music business – combining physical and digital shopping carts
- importance of investing in books after they’re published
- need for author / publisher collaboration
If you came from another planet and looked at this business you’d think, this can’t work. It’s a financial and environmental disaster.
2) Publishing 3.0 Richard Nash, Cursor Publishing
I am now an official Richard Nash True Believer. If life in publishing were an episode of Lost, I would trust Richard to be my Jacob. I think he scared the poop out of a lot of people, but I really appreciate the way he approaches radical change to publishing business practice with a combination of drama and compassion:
- content has become infinite: our focus on supply has to change to management of demand
- content doesn’t need to be downloadable – ‘just make a website’
- if you’re in the demand market, you have to own a community
- throw off the shackles of the supply chain and understand that books are part of a larger social experience
- the physical object of the book is no more cultural than a t-shirt
It is too risky not to completely rethink our business.
3) Breaking ground Dominique Raccah, Sourcebooks
Dominique gave an overview of the risks involved with creating her independent publishing house and multiple innovative marketing and community building techniques. The highlight for me was poetry speaks, a poetry website I might actually visit.
- importance of defining narrow verticals / monetizing your expertise
- digital is more than just text transfer
- ways to explore digital business through publishing
- innovation is iteration – keep trying
Of all the things I can tell you about, many of them will not have worked.
4) Lessons learned Michael Tamblyn, Kobo
After a heartwarming tech forum reunion between founding and present BNC CEO’s (aww!) Mr. T launched into one of his signature uber-slick PowerPoint presentations outlining Shortcovers / Kobo’s successes and failures (they only had two!) over the last year. The presentation included but was not limited to the following:
- short content was a huge mistake; people are interested in long-form books on devices
- Kobo loves user analytics – knowing your market is the key to success
- ebooks are a new-release market and require a data-rich purchasing environment
- Kobo is the Trinidadian word for vulture
- introduction of the Kobo reader, a stand alone reading device for people who love books more than technology; an implementation of the Kobo app, can be embedded on any device
Make mistakes, adjust, move on, and do it as fast as humanly possible.
5) The afternoon broke into two tracks, of which I attended the second. Speakers from Symtext, BookRiff, Book Oven, Titles Book Store (Espresso book machine), Smashwords and IndieBound talked about innovations in publishing from the point of view of their businesses. I felt these sessions were useful in that they showcased a lot of different business models in a short period of time, but it did feel a little bit pitchy.
6) Has content outgrown its covers Deanna McFadden, HarperCollins Canada
It is now my secret hope to make Deanna McFadden my BFF. (I know, it’s not secret if you write it in a blog post, see what I did there?) With empathy and intelligence, Deanna presented a top ten list of things to do – and not to do – as we usher in this new digital era. It was a lot like listening to my yoga instructor tell me “it’s hard, I know” during an extra-long banarasana:
- enhanced ebooks can be cool, really
- users are treating websites like books
- everything you put on the web has the power to convert someone into a buyer
- static websites suck, please stop making them
People don’t always have to be in competition with each other.(HALLELUJAH!)
Then there was a lightning round that I’m not going to talk about, then some other stuff happened – Noah gave away a Kobo reader disguised as a piece of paper and a Sony reader (with a bow!), Sachiko broke a glass, and the intern rang a bell. Thanks to the BNC gang for a great day that made a future in publishing a little less scary. And big ups to new mom Morgan Cowie, I know she poured a lot of work into planning the event. See you next year!

Thanks Sarah! I now feel slightly more comfortable with the idea of new publishing models. Hopefully I can make it out next year and work further on my fear.
I promise new models are fun and not scary! At least according to yesterday’s crew…
Okay, I’ll be the stick in the mud… but a lot of that sounds iffy to me. In particular:
“content has become infinite: our focus on supply has to change to management of demand.”
Is this kind of like the part where the food industry realized that if they wanted to keep going they’d have to find a way to get people to just *eat more*? I’m not sure supply was ever a problem for readers…. what do they plan to do to get us to buy more?
“the physical object of the book is no more cultural than a t-shirt”
I think over two thousand years of book collecting, the field of bibliography and the overwhelming cultural importance of archiving make this a dodgey statement.
***
I’m thrilled that content has more avenues to consumers now, but I still get the heebie jeebies when I imagine all our cultural capital reduced to air and made reliant on expensive, top-down, inscrutable (to the layman) technologies.
Great write-up, Sarah. I’m formulating my own breakdown for BOTR that I’ll finish tomorrow, probably.
In the meantime, tho, I’d just like to address Charlotte’s thoughts.
Firstly, this isn’t an either/or conversation anymore, it’s more of an either/and conversation meaning that supply options have increased for the consumer and the creator.
That does not mean that everything is going digital and that it’s all about inscrutable technologies cannibalizing our precious book culture anymore than book culture cannibalized our culture of cave painting which has had a significantly longer history as a story telling & cultural mechanism than the book has had.
It means that there are more ways for the consumer to access the content that they want in the way that they want it and also for the creator to provide those things in different ways.
Sometimes this relationship will be facilitated by a ‘publisher’ but increasingly the creator/consumer relationship can be handled directly – via POD technologies, the internet, podcasts, PayPal etc….
But as we take away some of the physicality of books including some cost aspects of fuel, warehousing, over production (remainders) etc… we have new opportunities to cultivate new ideas of demand because some of the barriers that physicality bring with it – traditional supply chain – are eliminated.
The old question was ‘How do we get books to the brick and mortar stores’ has become ‘Now that everyone can access this content electronically how do we facilitate that creator/consumer relationship to satisfy their desires for content?’
And obviously that includes paper books of all kinds but it is no longer ONLY about paper books, physical supply chains and giving the consumer only 1 option.
*
Also, are you sure that book collecting has been around for 2000 years?
If so, what are our definitions for the book? Are we going all the way back to the codex? To papyrus?
It is an interesting history and it’s interesting that we’re witnessing a historic change right now.
Hi Sean,
I’m certainly happy with a hybrid digital/physical future! In fact I’d like the discourse to be more transparent about what types of reading are suited to media and which are not. There’s no question that “read it and forget it” books are ideal candidates for Our Digital Future, and certainly given that most books published these days (if a glance around Indigo is anything to go by) fall into this category this means “publishing” might be in for a total revolution.
But for those people who like to “keep a library”, the act is more than just about having a place to put books when you’re finished with them. The types of books we gravitate towards were not usually the ones over-printed ones and we’d love to see a renewed focus on quality book production now that our standards have been differentiated from those of the casual reader.
Anyway this is not news to you I’m sure, so I’ll get to the point: what alarms me about the industry speak is that they don’t seem to be making this distinction and I’m not sure a lot of thought is being put into what types of books should remain targeted at the “permanent” market. And, actually, I’m not sure I want them dictating which books “matter” and which books don’t – history tends to make fools of all of us that way. I’d feel better if places like, say, the National Archives would stop saying stupid things like that they’re going to place a moratorium on buying print. I get that we have some digital future ahead of us, but if a place like the Archives is taking up the line too, I’m alarmed.
Anyhoo, yes, people have been collecting for thousands of years. :) Aristotle famously had a collection that he left to one of his students and that generations later arrived – intact – at the library at Alexandria. That was about 350 BCE. This is going back to the scroll (we don’t need to go “back” to the codex – we use codexes now). A “book”, when you’re talking about collecting, can be any format, but it has to be physical otherwise “collecting” it is meaningless.
Thanks, Charlotte. All good points.
I didn’t realize that a scroll is considered to be a book but if that’s the case then shouldn’t we go all the way back to the Egyptians and King Neferirkare Kakai of 2400 BC whose ‘account books’ are apparently the first evidence of writing on papyrus scrolls?
Making the ‘book’ time-line significantly longer?
As for those who want to keep a library in their homes, I think that the options are still going to be available to you. The books will either be created by the publisher/content creator in a high quality edition or services will be available where the consumer can take electronic content and generate a good quality paper edition through increasingly sophisticated POD technologies.
The people at the National Archives may say all kinds of things and I totally agree that eliminating the option for paper books to refer to and keeping only digital ones makes for a dangerous set of circumstances.
Better, though, your points on the age/time-line of books has got me thinking and doing some research and it looks like there are some interesting similarities between the uptake of the ‘codex’ and the uptake of digital.
Portability and ‘concealment’ being two major factors.
[...] Sorry (again) for the late (and lack of) posting recently. This week, the BookNet Tech Forum in Toronto kept me out of the office and away from the blog. If you’re interested in the conference, the ACP’s Sarah Labrie has a great round up of the main day here. [...]
[...] Sarah LaBrie and Clare Hitchens have both written more specifically detailed accounts of the speakers than I will get into here. Please go to their sites for their excellent analysis of the presentations. [...]
[...] and learn. Summaries of the event have already been produced by Clare Hitchens, Sean Cranbury, Sarah Labrie, and the folks at BookNet, which I encourage you to check [...]
For those of us who couldn’t attend, thank you for the write-up!
Hey Forum,
I just wanted to introduce myself per standard forum etiquette.
I look forward to conversating with everyone…
Hello,
This is my first post on this forum.
…I really want a luxury label timepiece, but with my present-day money coming in, I’ll have set aside for one by the time I am 70. :(
There are great things being stated about fake watches, as well as some depressing things… I do not think its difficult to understand my stress and need to hear some real people speak on these things..
I consider using the watch day after day, which means that construction is of greatest importance to me… Hope they will not all break the moment you start wearing them, given that I have read about such things by now over and over again. Or perhaps better yet, lose seconds without you knowing until finally you wind up unknowingly tardy for a significant affair. :(
When I stumbled upon this youtube video of a cartier replica watch, I couldn’t believe what I was seeing.
If they are merely replica models that look good on a desk, I’m not all too happy about paying half a grand on one… But if they do the job, it’s certainly a great deal to get a 1:1 breitling timepiece while not spending a bundle of money, which in turn is what I am looking for….
I’m really set to give these things a chance, but I also learned that there are a lot of replica rip-off websites, like those over night hit & run scams you read about all of the time…
Is there any place that you fellas could recommend highly?
I seriously don’t even want to test the ones that are selling for 50 bucks. That’s just silly imho. To date I have always been an admirer of top notch craftsmanship, so its no surprise that I am just kind of leaning towards the swiss watches they are offering… But a thousand bucks for a replica watch?! I don’t care even if you ARE the replica watch experts, lol! :o
Different places also seem very capable, with overall middle price tags… However like I said, I think the most beneficial suggestions would be from you folks, if any one has had any experience with websites like these and replica watches overall…
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